Satyam Rajesh Tenant Movie Review | Form

tenant movie review
Tenant movie poster

Tenant movie review

Satyam Rajesh returns to screen with ‘Tenant’, an emotional thriller directed by Y Yungandhar. While the film tackles an important social issue, the execution falters, leaving viewers wanting more.

The dark turn of a happy couple

The story revolves around Goutham (Satyam Rajesh) and Sandhya (Megha Chowdhury), a seemingly happy couple whose world is destroyed by tragedy. Sandhya’s mysterious death raises Goutham’s suspicions, while their neighbor Rishi (Bharath Kanth) attempts suicide. The film unravels the secrets behind this emotional turmoil, exploring the cracks in Goutham and Sandhya’s relationship and its connection to Rishi’s actions.

Hits and misses


  • Brief stories: At a competitive 1 hour and 30 minutes, “Tenant” avoids unnecessary runtime. This is a breath of fresh air compared to bloated films.
  • Twists with impact: The final 20 minutes deliver shocking twists and a disturbing truth, adding a layer of intrigue.
  • Social message: The film courageously tackles a relevant social issue and leaves a lasting impact in the penultimate scenes.
  • Solid performance: Satyam Rajesh portrays a man who effectively struggles with inner turmoil. Megha Chowdhury gives a believable performance as the innocent woman. Supporting actors Bharath Kanth, Chandana Payyavula and Esther shine in their roles.

Minus points:

  • Lack of tension: The film struggles to create a sense of tension. Despite wanting to be an emotional thriller, it lacks the necessary tension to keep viewers on the edge of their seats.
  • Slow Burning Pace: The deliberately slow pace may not appeal to everyone. The attempt to show the couple’s tension solely through visuals without dialogue fails due to a lackluster background score, leading to boredom.
  • Unequal story: As the second half picks up steam towards the climax, the overall experience feels underwhelming despite the important social theme.

Technical aspects:

Sahitya Sagar’s music is decent, but the background score fails to enhance the mood of the film. Jemin Jom Ayyaneth’s cinematography complements the film’s subdued tone. The editing could have been tighter, while the production values ​​were satisfactory.

Yungandhar’s screenplay, while unconventional, lacks the power needed to leave a lasting impression. The focus on the emotional state of the main couple dominates the first half, resulting in slow and tedious sequences.

The verdict:

‘Tenant’ addresses an important social issue, but the presentation fails to utilize the full potential of the story. While the performances and shocking twists offer some redeeming qualities, the lack of tension and slow pace make for a less than satisfying viewing experience. If more attention had been paid to the screenplay and pacing, the film could have had a greater impact.